Black leather monk strap shoes with silver buckles positioned on a white background next to a glass cup of black coffee.

Woman with long dark hair seated on a white floor holding a handbag wearing a structured dress and black loafers

Woman with long wavy hair balancing a red book on her head while wearing a blue shirt against a white backdrop.

Woman with long flowing brown hair lying on the floor in an olive dress next to a yellow clutch bag against a white background.

Woman with long curly brown hair seated wearing a two-tone dress holding an olive pouch against a plain white background

Model seated on a chair wearing a grey patterned pantsuit outside a restaurant

Woman with long curly brown hair wearing a blue buttoned shirt and holding a red book against a white background

Model with long dark hair lying on a white studio backdrop holding a tape measure, wearing a striped top and white skirt.

Model with long flowing brown hair kneeling in a jacket, blue shirt, and patterned shorts against a white backdrop.

Model in grey blazer and trousers seated on a wooden restaurant chair outdoors for M Revista de Milenio editorial

Model wearing a pink blazer and plaid trousers seated on a wooden cabinet in a restaurant interior

A woman lying down on a white surface next to a glass cup of dark liquid wearing a striped shirt.

M Revista de Milenio Natalie 2025

About

Natalie is a fashion editorial feature produced for M Revista de Milenio. The series showcases a blend of clean studio portraiture and environmental location work, focusing on a diverse wardrobe of oversized tailoring, textured knitwear, and structured separates. The project captures a refined aesthetic through minimalist compositions and soft, natural light. Photographer Juan Hernández utilizes both studio settings and restaurant environments to explore the collection's interplay with form and texture, often incorporating everyday objects as stylistic motifs. Creative contributors include fashion editor and stylist Daniel Zepeda, alongside hair stylist Octavio Leon and makeup artist Francisco Villa. The imagery maintains a consistent editorial tone throughout, utilizing film techniques to achieve a polished, gallery-like visual language.