Fantastic Man China

May 2026

In Springtime in Paris, Fantastic Man China masterfully navigates the intersection of European architectural heritage and contemporary streetwear sensibilities. Captured by photographer Winter Vandenbrink, this editorial project serves as a sophisticated study of texture and silhouette, utilizing natural light to elevate the collection beyond standard fashion photography. Through the lens of fashion editor and stylist Jason Rider, the garments—ranging from structured, double-breasted cream coats to bold, oversized purple tailoring—are presented with an deliberate, ethereal quality. By employing a cinematic approach, the imagery transcends traditional portraiture, finding harmony in the contrast between the weathered stone walls of the Parisian backdrop and the sharp, minimalist lines of the clothing. Models Kiwoong Nam, Loup Ruoppolo, and Raoul Barberis bring a grounded intensity to the frame, their naturalistic poses softened by the expert grooming touch of hair stylist Nicolas Philippon. The result is a highly polished aesthetic that reads as both timeless and modern. With a consistent reliance on editorial minimalism and natural light, the campaign successfully leans into a narrative of understated luxury. By focusing on the interplay between the subjects and their urban environment, the project showcases an elevated casting direction that feels both curated and effortlessly authentic, marking a distinct evolution in the publication's visual storytelling approach.

Editorial, Vertical

Natural light