Elle Serbia

Aug 2026

In the latest editorial feature for Elle Serbia, titled Face Orbit, the intersection of avant-garde aesthetics and classic beauty photography takes center stage. This cosmetics-focused beauty campaign leans into a minimalist visual philosophy, stripping away extraneous noise to focus entirely on the transformative power of pigment and texture. Photographer Monika Lis employs a masterfully clean approach, utilizing soft, diffused beauty light to highlight the intricate interplay between human skin and artistic intervention. The series thrives on extreme macro compositions, where makeup artist Chris Schild crafts striking, metallic silhouettes around the eyes of model Anais Nguyen. These pieces are defined by a tactile precision, utilizing both opaque silver paints and heavy, reflective glitter applications to create a celestial, sculptural effect that shifts across the canvas of the face. By pairing these highly stylized cosmetic elements with a natural, dewy complexion and visible, honest skin texture, the project achieves a sophisticated balance between high-concept art and editorial polish. Shot against neutral, seamless backgrounds, the work effectively channels a modern, polished aesthetic that avoids digital heavy-handedness. Face Orbit demonstrates how focused, high-end beauty photography can transcend traditional magazine boundaries, cementing the visual narrative as a definitive study in contemporary cosmetic artistry that feels both grounded in human warmth and otherworldly in its execution.

Editorial, Vertical

Macro, Beauty Light

Cosmetics, Magazines, Beauty, Media & Entertainment