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Person seated wearing sparkly silver trousers, a light blue striped shirt with crystal embellishments, white pumps, and an orange pouch.
Overhead shot of a person at a round table reaching for grapes next to a black handbag and wearing a wide gold cuff bracelet.
High-angle shot of a person seated in a vehicle wearing a striped shirt and sheer white skirt, adorned with rings and bracelets.
Overhead shot of a person wearing stacked gold bracelets, striped trousers, and brown suede loafers, holding a small coffee cup.
Overhead shot of a seated person in a patterned skirt and black jacket touching a bright pink suitcase
Person seated wearing light blue jeans, white t-shirt, and holding bright yellow gloves against a dark leather seat
Person seated wearing sparkly silver trousers, a light blue striped shirt with crystal embellishments, white pumps, and an orange pouch.
Overhead shot of a person at a round table reaching for grapes next to a black handbag and wearing a wide gold cuff bracelet.
High-angle shot of a person seated in a vehicle wearing a striped shirt and sheer white skirt, adorned with rings and bracelets.

D Repubblica Passengers 2026

About

In the Passengers project for D Repubblica, the convergence of high-fashion editorial sensibilities and lifestyle narrative creates a compelling visual journey. Through a series of overhead, top-down compositions, photographer Priscillia Saada leans into a crisp, minimalist aesthetic that feels both voyeuristic and highly curated. The work captures a transient sense of place, framing subjects within stylized environments where the emphasis remains firmly on the tactile dialogue between luxury textures and everyday travel essentials. Working closely with fashion editor and stylist Francesca Ottaviani, the imagery masterfully juxtaposes shimmering metallic trousers and floral brocades with grounded elements like leather luggage and vintage-style seating. The deliberate use of natural light ensures that the focus stays on the interplay of materials, from chunky gold-toned jewelry and gemstone rings to the crisp lines of pinstriped shirting. With casting direction by Arthur Méjean, the project serves as a sophisticated study in modern accessorizing, highlighting how individual pieces—be they a singular brushed gold cuff or a bright yellow glove—can define a narrative of movement and poise. The clean, high-angle framing highlights the careful orchestration of the set, while the grooming contributions from hair stylist Andrea Idini and makeup artist Porsche Poon provide a polished, unified finish. Ultimately, Passengers reads as a quintessential fashion editorial, demonstrating a confident command of colour contrast, composition, and contemporary style.

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