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Model wearing a structured green suit and black hat against a solid grey background
Model in a loose blue jumpsuit and dark boots against a grey studio backdrop
Two models in a studio setting, one wearing a green dress and gold trousers, another in a red dress with red hair whipping in motion.
Model seated wearing a pink coat, brown bra top, khaki shorts, and shiny gold gloves against a dark patterned screen
Model with red hair blowing back wearing a green coat under a clear vinyl raincoat against a white background
Model wearing a structured green suit and black hat against a solid grey background
Model in a loose blue jumpsuit and dark boots against a grey studio backdrop
Two models in a studio setting, one wearing a green dress and gold trousers, another in a red dress with red hair whipping in motion.

D Repubblica Alike 2026

About

In the vibrant Alike feature for D Repubblica, photographer Mark Kean masterfully deconstructs the conventional fashion editorial through a lens of high-contrast color and architectural precision. The project, which leans heavily into bold luxury fashion, captures a series of dynamic portraits where the clothes serve as both armor and art. Whether it is the structured intensity of a bright green wool suit or the fluid, sculptural volume of oversized blue bodysuits, every frame celebrates the interplay between material and form. Under the meticulous styling of Jacob K, the imagery achieves a sophisticated visual tension, utilizing studio strobe lighting to emphasize the glossy, metallic textures of satin, leather, and vinyl against minimalist grey backdrops or theatrical, light-drenched sets. The presence of models like Karen Elson and Jacqui Hooper brings a kinetic energy to the work, with poses that evoke a sense of controlled movement, further accentuated by the crisp hair styling of Tom Wright and the striking makeup artistry of Lucy Bridge. By pairing traditional chiaroscuro techniques with contemporary, saturated palettes, the editorial transcends standard portraiture, rooting itself in a cinematic language that demands attention. Set design by Suzanne Beirne adds a tactile layer of depth, ensuring that each ensemble remains the focal point while existing within a carefully curated, avant-garde ecosystem of form and texture.

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