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Irina Shayk posing in a low squat wearing a black fitted jacket, layered ruffle skirt, and white tights against a grey backdrop.
Irina Shayk poses dynamically on a folding chair wearing a patterned sweater, white tights, and black heels against a grey studio backdrop.
Model Irina Shayk wearing a sleeveless pinstripe top, white tights, and black boots posing against a grey studio backdrop
Irina Shayk arching backward over a beige chair in a black outfit, white tights, and black stiletto boots against a studio backdrop.
Irina Shayk posing in a light blue button-down shirt, deconstructed denim jeans, and black stiletto boots against a grey studio backdrop.
Irina Shayk sitting in white tights and black leg warmers holding a black clothes hanger in front of a neutral grey backdrop.
Irina Shayk seated backwards on a chair posing topless with beaded jewelry across her back, grey trousers, and black stiletto heels.
Model Irina Shayk posing in a textured cream fringe top, black pleated miniskirt, white tights, and black high heels in studio.
Irina Shayk posing in a low squat wearing a black fitted jacket, layered ruffle skirt, and white tights against a grey backdrop.
Irina Shayk poses dynamically on a folding chair wearing a patterned sweater, white tights, and black heels against a grey studio backdrop.
Model Irina Shayk wearing a sleeveless pinstripe top, white tights, and black boots posing against a grey studio backdrop

D Repubblica A Modo Mio 2026

About

In the striking editorial feature A Modo Mio for D Repubblica, photographer Ethan James Green and stylist Haley Wollens collaborate to push the boundaries of luxury fashion through a lens of stark, avant-garde minimalism. This high-fashion campaign centers on the interplay between architectural garment construction and the expressive, often acrobatic physicality of its subject, Irina Shayk. The visual narrative relies heavily on studio strobe lighting to maintain a pristine, clinical aesthetic, effectively isolating each silhouette against a uniform, neutral grey backdrop. By blending disparate elements—such as mannequin torsos, rope-like fringe, and bold graphic contrasts between black blazers and stark white tights—the team crafts a series of portraits that feel simultaneously rigid and performative. The styling leans into an unconventional, layered approach, with hair by Sonny Molina and precise makeup by Kabuki emphasizing a sharp, focused intensity that anchors the experimental fashion choices. This editorial project demonstrates a masterful command of texture and proportion, utilizing the studio environment as a blank canvas to elevate the clothing into sculptural art. The result is a rigorous, deeply intentional exploration of form where the body acts as a kinetic instrument, seamlessly integrating avant-garde techniques with the classic, elevated sensibility expected from a luxury fashion house production.

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