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A blonde woman in a green and white striped sweater eating a fast food burger at a green kitchen counter with takeout fries and soda.
A young woman in a black knit sweater drinks a chocolate milkshake with whipped cream through a straw in a cafe booth.
Young woman with bangs and glasses smiling while licking an ice cream cone in front of a rustic concrete wall.
Woman with sunglasses on her head biting into crusty bread at an outdoor cafe table, wearing a black shirt and silver jewelry.
A woman talking on a smartphone seated at a restaurant table with a half-eaten meal in front of a vintage fringed table lamp.
Blonde model in a black coat sitting at an outdoor cafe table with a plate of food and a sidewalk menu chalkboard behind her.
Close-up portrait of a woman with long dark hair making an expressive face while holding a piece of pink grapefruit.
A woman in a black leather jacket and blue jeans lies across the hood of a car eating fast food and holding a glass soda bottle.
A blonde woman in a green and white striped sweater eating a fast food burger at a green kitchen counter with takeout fries and soda.
A young woman in a black knit sweater drinks a chocolate milkshake with whipped cream through a straw in a cafe booth.
Young woman with bangs and glasses smiling while licking an ice cream cone in front of a rustic concrete wall.

Book Out to Lunch 2026

About

In the hands of photographer Mark Abegg de Boucherville and art director Riccardo Ruini, the Book project titled Out to Lunch evolves into a visceral exploration of the intersection between consumption and identity. Moving far beyond traditional food imagery, the campaign adopts a raw, documentary-style aesthetic that leans into the intimacy of the everyday meal. By prioritizing natural light and the tactile reality of the subject, the series feels less like a commercial exercise and more like a collection of stolen, honest moments. The cast, including models like Vika Ihnatenko and Pauline Hoarau, inhabit a variety of urban settings, from weathered café facades to residential kitchens, lending a gritty authenticity to the visual narrative. The creative direction emphasizes an editorial minimalism that draws strength from the mundane; the subjects are captured mid-bite or caught in candid repose, effectively blurring the lines between high fashion and street-level spontaneity. Heavily informed by the texture of 35mm film, the imagery embraces grain and light leaks to evoke a nostalgic, yet biting, sense of immediacy. With casting support from Arthur Méjean, the project succeeds in turning simple, fleeting interactions with food into powerful, character-driven portraits that resonate with a quiet, unfiltered intensity, grounding the entire narrative in a palpable, lived-in human experience.

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