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Model crouching wearing a cream oversized jacket and black heels against a grey gradient background
Black and white editorial portrait of a model with spiky hair covering one eye wearing a dark leather coat against a gradient background.
Model Katherine Wilkey crouching in a textured fleece coat and piped trousers in a monochrome studio portrait for At Large Magazine.
Katherine Wilkey posing in a multicoloured vertical striped knit dress with a textured drawstring bag against a white backdrop.
Fashion editorial diptych of model Katherine Wilkey crouching in a green coat and standing in a tailored black blazer in studio.
Close-up portrait of a model balancing a leather handbag on her head against a stark white background.
Model crouching wearing a cream oversized jacket and black heels against a grey gradient background
Black and white editorial portrait of a model with spiky hair covering one eye wearing a dark leather coat against a gradient background.
Model Katherine Wilkey crouching in a textured fleece coat and piped trousers in a monochrome studio portrait for At Large Magazine.

At Large Magazine POP LUXE 2026

About

The POP LUXE project for At Large Magazine serves as a masterclass in modern editorial photography, distilling the essence of luxury fashion houses into a series of stark, high-concept portraits. Through the lens of photographer Willy Lukaitis, the project leans into a minimalist aesthetic that prioritizes form, texture, and graphic composition over elaborate staging. The visual language is defined by a dichotomy between high-contrast chiaroscuro lighting, which emphasizes the sculptural qualities of leather and heavy textiles, and the crisp, even illumination of studio strobe setups against neutral backdrops. Stylist Cristina Holmes curates an array of bold silhouettes, from oversized tailoring to vibrant, striped textiles, creating a visual tension that feels both timeless and aggressively current. Model Katherine Wilkey anchors the editorial, her precise movements and neutral gaze facilitating a study in negative space and geometric precision. With the support of hair stylist Anton Alexander and makeup artist Jamal Scott, the editorial maintains a polished, avant-garde edge throughout. Casting director Barbara Pfister ensures that every frame remains focused on the interplay between the subject and the accessory, elevating simple lifestyle poses into elevated portraits. This project successfully channels the clean, deliberate energy of high-end editorial layouts, proving that when light and styling are executed with such exacting discipline, the resulting imagery becomes a powerful statement of contemporary fashion identity.

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