Bio
If a picture is worth a thousand words… THIS ONES ONLY REALLY WORTH A FEW Pictured above are ‘The Concrete Cows’ a famous landmark from my birthplace of Milton Keynes. MK is a small town in Buckinghamshire England that was built in the 1960s and designed to be the city of the future. In the early 2000s, the infamous bovine landmark was grafitied by some witty delinquents. Perhaps it’s the perfect metaphor for the city and the type of creativity that bubbled through. I don’t live in Milton Keynes anymore but I still like the photo and its ambition of being the city of the future, complete with its very own Monorail (which never got made). It still inspires me… well sort of. I now live in Sydney Australia, a place that did once have a monorail (but not anymore). But you are probably here for my shorts films, ads or music videos… maybe you heard something about my work in Unreal Engine…? As a director, I like to think I value craft and good design very highly, a lot of my work combines post and practical effects with cinematic storytelling. There’s often humour but it’s not necassarily on purpose, it sneaks in when I’m not looking from time to time. I am also a passionate about photography and image capture in many forms. As a VFX artist I specialise in Unreal Engine and recently completed a Screen Council/Epic Games funded short made entirely in UE5. I currently work for KMM as part of the post-vis team on Mad-Max Furiosa. So enjoy watching and thanks for visiting, perhaps we are working on a job together or you are just checking whether you like the cut of my jib. Either way, get in touch below or reach out to Revolver if you have a commercial project you think’d be right for.