Home
Creatives
Photographer
Kenji Aoki

Kenji Aoki

Photographer
Art Department
Los Angeles, New York

birdbird of paradisemagazine coverpublicationfeathersyellow feathersbrown feathersgreen feathersblack backgroundtextblack colorsolid backgroundThe New York Times MagazineJanuary 13, 2019

peacock feathersplumageiridescenttextureclose-upbluegreendetailedpatternlayered effectfeather arrangementcolor gradientnatural beautyanimalavianbirdcolorful feathersvibrant huesnatural pattern

feathersplumagetextureiridescencecolorpatternclose-upblack backgrounddark backgroundorangebluebrownwhiteavianbird

wristwatchtimepiecewatchleather bandblack colorblack watch facesilver detailstimeblack backgroundwhite backgroundstudio lightingleatherchronometerwristaccessory

bookgraphicspherepaperpageprintimagewhite colorblack colorminimalismpublicationreading materialprinted matterillustrated bookplanetary sphere

ceramic vasepotterymonochromesmooth texturedramatic lightingshadowshighlightsminimalistround bodynarrow neckblack backgroundindoorsoft glowvaseceramicsblack and whitelightstill life

bookred circleblack backgroundopen pageswhite spaceminimalismgeometric shapescolor contrastpaper textureinterior pagesbook bindingoff-white backgroundsoft lightingeven lightpageredblackwhitecircleopenminimalist designabstractmodern

ceramic vasestudio shotmonochromecone shapegradient backgroundceramicgray scaleshadowsphoto studiogray backgroundgradientindoorceramicsvasestabletopgrayscaleshapesstill lifeindoorneutral colorsimpleformtexture

medicinepharmaceuticalvialmedicationproduct shotglass vialmedical treatmentprescription druggradient backgroundsoft lightingblue backgroundwhite surfaceeye-level shotclinical settinghealthcare productRemdesivirdrugglass bottlelaboratorycuretreatment

abstractswirlpatternmonochromeblack and whiteshapefunnellightshadowcontrastdomecylinderphotographydarkart

feathersplumagemacro photographytan featherstexturebarbsdelicatesoft lightingmuted colorsblack backgrounddarkfeather detailsclose-upintricate detailsmacro shottanblack

chairfurnitureinterior designgeometric shapeminimalismshadowanglesilhouetteshapepale tanneutral colorstudio lightingplain backdrophomeroomdesignstraight lines

planetmonochromecloud bandstriated patternhigh contrastatmospheregrayscalecelestial bodyspaceblack backgroundplanetary surfacecloud formationastronomyweatheratmospheric science

bookbook coverorbred orbgradientred gradientblack backgroundtexttitleauthorkehrerkenji aokispacematte finishgraphic designcover designeditorial

booksstackbook coverblack colorred colorhardcovertitlespineauthorgeometric shapedark backgroundgradientSPACEKenji Aoki

feathersplumagebird feathersbird plumagemacroorange coloranimaltexturepatterndetailedclose-upnaturegradientblack colornatural

bookstackpublicationcover artredblacktitlegraphicartwhitestudiocopymerchandise

ceramicvasespotlightmonochromeshadowglossycream colorartindoorblack backgrounddarkeye-levellightingcontemporaryminimalismtabletopobjectstudio lightingsmoothform

vaseconeobjectwhite colorgray backgroundminimalismgradientsindoorphoto studiolightingshadowcontemporarystudio shotgeometric shapestill lifeartdesign

feathersabstractcolor gradientred feathersorange feathersyellow feathersgreen feathersblue featherstextureclose-upvibrant colorscolor transitionsnatural patternsdetailed feathersplumage

Bio

Kenji Aoki’s artistic journey began under the tutelage of his uncle, renowned craft designer Mosuke Yoshitake, where he first explored the intricate world of drawing. His formal education at Kuwasawa Design School introduced him to the transformative Bauhaus design philosophy, as well as the groundbreaking concepts of Kazimir Malevich's "The Non-Objective World." Inspired by the notion of “Zero” and the Zen ideals of “no object,” Kenji embarked on a quest to uncover the essence of the non-object through the lens of photography. Since 1991, Kenji has made a significant impact as a still-life photographer, celebrated for his distinctive blend of delicacy and strength, coupled with a unique color palette and minimalist approach. His work has garnered widespread acclaim within the industry, leading to a collaboration with New York-based photography agent Michel Ash in 2008. This partnership prompted his relocation to New York in 2010, where Kenji's artistry flourished. In the vibrant cultural landscape of New York, he has contributed his visual storytelling skills to prestigious publications, including The New York Times Magazine and TIME. His work has not only been featured but also recognized in esteemed collections such as "The New York Times Magazine Photographs," edited by Kathy Ryan, and American Photography. Kenji Aoki continues to push the boundaries of still-life photography, inviting viewers to engage in a dialogue with the unseen.