Specialisms
Fashion, Motion
Bio
Since the late 2000s, Dan Jackson has emerged as a transformative force in the realms of fashion editorial and advertising, earning acclaim for his unique ability to weave the rich narrative of classical portraiture into the contemporary fabric of fashion photography. His artistic versatility is evident in his seamless navigation between minimalist studio settings and the grandeur of dramatic location shoots. Notably, his collaborations with Acne Paper have garnered praise for their innovative exploration of choreography and human gesture, capturing the fluidity of movement within the static frame. In 2018, Jackson's work was featured in the compelling exhibition VOID at Red Hook Labs, an initiative by 1 Granary aimed at showcasing the work of emerging fashion designers through the lens of internationally renowned photographers. Additionally, he contributed to The Eye of the Beholder exhibition at 80WSE Gallery, which delved into over a century of visual aesthetics and the quest for ideal beauty. Over the years, Jackson has helmed still and motion advertising campaigns for a prestigious roster of brands, including Armani Fragrances, Clarins, Clinique, Dior, Prabal Gurung, Calvin Klein (across fashion, cosmetics, and fragrance lines), Alexander Wang, Gap, H&M, Helmut Lang, Hogan, J Mendel, Nike, Revlon, and Tiffany & Co., showcasing his adeptness at bringing brand narratives to life. His editorial prowess is further exemplified through his iconic cover images and lead contributions to esteemed publications such as AnOther, Dazed & Confused, Harper’s Bazaar, i-D, The Last Magazine, Love, Lui, Vogue China, Vogue Germany, British Vogue, and WSJ magazine. Dan Jackson continues to redefine the intersection of high fashion and art, leaving an indelible mark on the industry.