Clo'e Floirat

Bio

Clo’e Floirat is a multifaceted art critic, author, and cartoonist whose work transcends traditional boundaries, blending visual art with incisive commentary. Her artistic journey began in New York, where she honed her skills before briefly returning to her native Paris. She furthered her education at the Design Academies in Reims and Eindhoven, Netherlands, which paved the way for a transformative five-year stint in Berlin. There, she collaborated with architects specializing in art spaces, deepening her understanding of the interplay between architecture and art. Clo’e's time in New York also included working alongside luminaries such as Robert Wilson and Rufus Wainwright, experiences that enriched her artistic vision. Recently, Clo’e graduated from the Royal College of Art in London with a master's degree in critical writing in art, further solidifying her reputation as a leading voice in contemporary art discourse. She is particularly celebrated for her innovative “drawing Crit’ writing” style, a unique fusion of illustration and critique that offers a humorous and refreshing perspective on the contemporary art scene. Clo’e is a prolific to esteemed publications, including Art Press, Frieze, Designo, Intramuros, L’Officiel Art, and The World of Interiors. Her drawings have also graced the pages of The New Yorker and The New York Times, showcasing her ability to engage diverse audiences. Since 2011, Clo’e has been a special guest at Monumenta at the Grand Palais in Paris, where she engages with major contemporary artists such as Anish Kapoor, Daniel Buren, and Ilya and Emilia Kabakov through her drawing and writing. Her work was featured at Kamel Mennour Gallery in 2016, and in 2017, she took on the artistic direction for "Prima Donna: A Symphonic Visual Concert," collaborating with Parissco Vezzoli and Cindy Sherman. Clo’e is also the author of two graphic novels: "Pas mal pour de l’art !" (Not Bad for Art!), which offers a unique portrait of gallery and museum-goers, and "Je vois quelqu’un !" (I Am Seeing Someone!), where she explores the complex dynamics between therapist and patient. Both works were published by Marabout editions in 2016 and 2018. In November 2018, Longchamp granted Clo’e carte blanche for a collaboration that infused her artistic flair into the iconic Le Pliage handbags and a range of small leather goods and accessories. The following year, the Louvre Museum honored her with a “Carte Blanche” to commemorate the 30th anniversary of Pei’s Pyramid. Throughout 2019, Clo’e created nearly a hundred drawings, which were shared as weekly stories on the Louvre’s Instagram account. Clo’e's recent publication, “Génération Pyramide,” co-published by the Louvre Museum and Marabout editions, captures the spirited adventures of four teenagers navigating the Louvre with panache and wit, further showcasing her ability to connect art with contemporary narratives. Clo’e Floirat continues to redefine the boundaries of art criticism, leaving an indelible mark on the contemporary art landscape.