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This editorial portrait for The Face Magazine features Ethel Cain hanging by her hands from a thick tree branch against a dense green woodland background. She wears a white gathered top, with prominent tattoos visible along her arms and a small forehead tattoo. Natural daylight illuminates the scene, highlighting the organic textures of the foliage and wood. The project, titled The Race is Worth the Fight, is photographed by Alasdair McLellan with fashion styling by Danny Reed, hair by Anthony Turner, makeup by Lynsey Alexander, and manicures by Jenny Longworth.


